In the early hours of this morning i managed to complete a rough stylized concept.
I attempted to use hard sharp edges to emphasized certain features as well as hard shadows.
Created another stylized concept using the skinny base model i created the other day, this time i use curved lines for the appeal of a softer, cunning disposition:
I have just come up with a couple of script ideas for the performance study:
Performance Study Script:
#1-
FADE IN:
INT. TABLE, CHAIR, CUP, COASTER
Character is impatiently sitting,
tapping his fingers or fidgeting etc. waiting for something to
happen.
Frustrated he then flips the table.
Character: “No, your out of order!”
END
#2-
FADE IN:
INT. TABLE, CHAIR, CUP,
COASTER
Character is seen leaning in
towards cup in an intimidating manner, he then slide the coaster
towards the cup and says “So, are you going to tell me the truth?”.
Frustrated at the
incompetence of the cup he flips the table over and pounces onto the
cup screaming “Stop resisting”.
END
As at the end of today i have half finished a second draft of my story:
"Rotten"
(Draft Two)
By
Sean Davies
21
Whitaker Place, Grafton, Auckland 1010
0278004787
Vala_purity@Hotamail.com
FADE
IN:
INT.
STATION, BOSS OFFICE – MORNING
Kassler sitting at boss's
desk eagerly awaiting his orders.
Boss leaning in towards
Kassler with partial light from behind him casting heavy shadows in
front.
BOSS: “Kassler, as you are
aware, crime is at an all time high. I need your help in taking these
criminals out”
EXT. POLICE CAR, OUTSIDE
HOUSE – DAY
Kassler is in the passenger
seat mulling over the happenings of the case with the Boss.
KASSLER: “So Boss, what
exactly has this criminal done for you to want him caught so badly?"
The Boss glances at Kassler
with a look of distain and repugnance.
(# = Options + Number)
BOSS:#1 “.... some sick
shit....”, #2 “He's in my way”
Double checking that they
both have everything they need, they leave the car and head towards
the house.
The Boss sees a window open
and indicates for Kassler to follow.
Hesitantly moving towards the
window, Kassler looks at the front door for a moment in a
questionable glance.
Once inside, the Boss goes
ahead and inspects every inch of the house with Kassler following
right behind him.
Kassler notices that this
house is of an ordinary appearance with nothing giving any indication
of anything sinister whatsoever.
As they both make there way
towards the bedroom, Kassler sees a lot of things that have null
importance to any sorts of crime, he then begins to look at his Boss
with a dubious impression.
.............
Have also done one quick thumbnail of roughly how i invision the establishing shot to look.
Will be updating post after the weekend with my finished second draft and whatever else i end up doing. :)
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